French brand Madeleine Vionnet is back on stage with Italian funds
PARIS - Bought last February by Matteo Marzotto, former chairman of the Valentino Fashion Group, the Madeleine Vionnet fashion house introduced on Oct 2 the 2010 spring-summer collection, at the Musée de l’Homme, in Paris. Rodolfo Paglialunga, former assistant of Miuccia Prada for the ready-to-wear activity of her eponymous
brand, was appointed by the company as the new Vionnet designer.
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In a recent interview, Matteo Marzotto revealed that he targets to have Vionnet distributed in 250 multi-brand shops by the end of 2009. An ambitious revenue plan of EUR10 million for the coming two years has been set (source: La Tribune).
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The brand was created in Paris by the French designer Madeleine Vionnet, in 1912, but did not survive the second world war. At the peak of her fame, Vionnet was as famous as Chanel or Lanvin and she was a major player on the art scene. Vionnet is known to have launched the bias-cutting technique which was used later on by countless designers including Azzedine Alaia and John Galliano.
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The company was purchased in 1988 by the de Lummen family who tried to put it back in business. Celebrated designers Sophie Kokosalaki and then Marc Audibet were appointed but left quickly for different reasons. Ultimately, after having failed to resurrect the brand, Arnaud de Lumen sold it to Matteo Marzotto for an unrevealed amount.
Brand resurrection: reality or fantasy?
The Vionnet case opens the discussion on a recurring subject in the luxury industry: how far can a company go for bringing a brand back on stage? For visible successes such as Gucci and Chanel, there are many failures such as Rochas, Grès or Nina Ricci.
Assets make heritage more valuable
In a brand resurrection operation, the situation is very different if the company still exists or if it closed long time ago. When Chanel and Gucci were re-launched, they were sleeping beauties but their name was still well-known and their style and logo were very recognizable. In the case of Vionnet, the brand name, the logo and the history are known only by very few people, this means that there is not even a legend the company can refer to.
Brand attributes: identity, awareness, positioning, loyalty, equity and value
The most important question in re-launching a brand is: what is the value of the brand in the customer mind? Obviously, a strong brand will facilitate the re-birth process. There are many ways to evaluate the strength of a brand. Companies such as Interbrand or Ogilvy built methodologies which can be used according to specific contexts.
In her book, Luxury Fashion Branding, Onke Onkonkwo proposes a very pragmatic approach. A brand can be defined by few simple attributes:
- Brand identity -> brand personality and brand image,
- Brand awareness -> brand recognition and brand recall,
- Brand positioning -> brand associations in the customer’s mind,
- Brand loyalty -> customer’s trust and preference
- Brand equity -> reasons to be preferred by the customer,
- Brand value -> financial benefits resulting of the strenght of the brand. Key element of the goodwill.
These attributes are structured as Russian dolls: each attributes relies on the previous one.
In the case of Madeleine Vionnet, these indicators are very likely at the lowest. As the brand identity is quite non-existent, the other attributes are consequently extremely low. It is not an absolute show-stopper but it implies that massive investments will have to be done in communication including advertising, fashion shows and store opening.
The delicate exercise of brand stretching
Another way to awake an old company is to opt for brand stretching: Gucci or Louis Vuitton launching ready-to-wear collections are some great examples. This new business, very visible, came in addition to their traditional leather goods business.
But the exercise is extremely difficult because the brand moves in a new territory with different competitors and new rules. For instance, Christian Blanckaert, former head of Hermès International, described in his book “Luxe” the story of a crocodile bag which had been staying on the shelf for many months before being sold. But in market segments such as ready-to-wear, the life cycle of a piece of clothing does not exceed 6 months. And then, the unsold goods management can turn into nightmare. In the meantime, the communication budget of the collection would have swallow up a huge amount of cash spent in a fashion show and advertising in trendy glossy magazines. Companies such as Bally, ST Dupont or Dunhill try to make their way in this cash-burning arena of ready-to-wear but without a real success. Another direction for brand-stretching is the watch market: Fendi, Dunhill, and Burberry are desperately seeking for a place in the premium-to-luxury watch segment when ST Dupont was smart enough to make there a U-turn, couple of years ago.
In conclusion, if the brand is not strong enough, with a solid network of shops, this strategy is highly risky and extremely expensive. But when it succeeds, it opens huge perspective and then sky is the limit.
In the case of Madeleine Vionnet, the challenge is huge and hazardous as the brand image does not exist anymore. It will be interesting to see if passion, intelligence and funding will be enough to resurrect the old lady.
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Yvon Le Gall
Luxury-world
http://www.vionnet.com
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